{"id":175,"date":"2015-08-12T11:28:11","date_gmt":"2015-08-12T11:28:11","guid":{"rendered":"http:\/\/franzehmann.com\/?page_id=175"},"modified":"2015-08-29T06:37:22","modified_gmt":"2015-08-29T06:37:22","slug":"1-biennale-der-kunstler-im-haus-der-kunst-munich-2013","status":"publish","type":"page","link":"https:\/\/franzehmann.com\/index.php\/installation\/1-biennale-der-kunstler-im-haus-der-kunst-munich-2013\/","title":{"rendered":"1 Biennale der K\u00fcnstler im Haus der Kunst Munich 2013"},"content":{"rendered":"
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Words that changed the world and influenced the weather\u00a02013<\/p>\n

Installation: Newspapers, colour, packing tape, bicycle<\/p>\n

Thematically this Installation is headed by luxury and ephemerality and highlights inherent ideological distinctions of having too much and having not much at all.<\/p>\n

As a counter argument it tries to dissolve the tyranny of choice between luxury and ephemerality, though whose world is not ruptured by the \u201cbig decisions\u201d.<\/p>\n

By many ways, global and local, communication through the optics of art defines a pleasure principal precisely derived from luxury as ephemerality and ephemerality as luxury.<\/p>\n

A gesture of grace can open the debate and render any one of these dichotomies as essential elements to further art for the 21st century.<\/p>\n

For better or worse, we all live in a specific bubble of communication foam, where language itself looses its currency and enters the territory of burned out meaning.<\/p>\n

Franz Ehmann<\/p>\n<\/div>\n

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