Born: Ehmann Franz in Graz Austria, 1963<\/p>\n
Education<\/strong><\/p>\n Masterclass with Alison Knowles, New York artist<\/p>\n B.A. Fine Art, N.T. University, Darwin, Northern Territory (Charles Darwin University)<\/p>\n Biography<\/strong><\/p>\n 1990\/91<\/strong><\/p>\n Exhibition co-ordinator at 24 Hour ART, Darwin<\/p>\n 1996<\/strong><\/p>\n Director of Whitebox gallery, Brisbane<\/p>\n 1997-05<\/strong><\/p>\n Director of Soapbox gallery, Brisbane<\/p>\n 1996<\/strong><\/p>\n Lecturer at Queensland University of Technology, Kelvin Grove campus, Brisbane<\/p>\n 1999<\/strong><\/p>\n Lecturer in media studies\/sculpture, Queensland College of Art, Brisbane<\/p>\n 1996<\/strong>–01<\/strong><\/p>\n Eyeline – publishing, Brisbane, Board of directors<\/p>\n 2008<\/strong><\/p>\n Panel discussion, BARI Festival, Jugglers Art Space, Brisbane<\/p>\n <\/p>\n Exhibitions<\/strong><\/p>\n 2014<\/strong><\/p>\n Many Things (it\u2019s a colourful world), SGAR, Brisbane<\/p>\n Creatio continua, Haus der Kunst , Munich, Germany<\/p>\n 2013<\/strong><\/p>\n 1 Biennale der K\u00fcnstler im Haus der Kunst, Munich, Germany<\/p>\n 2012<\/strong><\/p>\n Words that changed the world and influenced the weather, FOE 156, Munich, Germany<\/p>\n Words that changed the world and influenced the weather, SGAR, Brisbane<\/p>\n 2011<\/strong><\/p>\n There where you are not, Factory49, Sydney<\/p>\n 2010<\/strong><\/p>\n Songs that changed the world and influenced the weather, Greenaway Art Gallery, Adelaide, S.A.<\/p>\n Fourteen, Factory49, Sydney<\/p>\n Cheap philosophies, Schwartz Gallery, London, UK<\/p>\n 2009<\/strong><\/p>\n Yes we can, Lisi H\u00e4mmerle Galerie, Bregenz, Austria<\/p>\n 2008<\/strong><\/p>\n Vienna Biennale, Vienna, Austria<\/p>\n Relentless (without beginning nor end), BBK Galerie, Augsburg, Germany<\/p>\n Maximum acceleration, Conny Dietzschold Multiple Box, Sydney<\/p>\n 2007<\/strong><\/p>\n Aftermath, Artspace Sydney, artist residency and exhibition, Sydney<\/p>\n Maximum acceleration, Ryan Renshaw Gallery, Brisbane<\/p>\n ARC Biennial, Queensland University Technology Art Museum, Brisbane<\/p>\n 2005<\/strong><\/p>\n Questioning the questions of this world, Ryan Renshaw Gallery, Brisbane<\/p>\n Questioning the questions of this world, Greenaway Art Gallery, Adelaide<\/p>\n Speaking the world into existence, Institute of Modern Art, Brisbane<\/p>\n Speaking the world into existence, Artspace Mackay, Mackay Qld<\/p>\n 2004<\/strong><\/p>\n Where is my mind, Soapboxgallery, Brisbane<\/p>\n Speaking the world into existence, Esa J\u00e4ske Gallery Sydney<\/p>\n Speaking the world into existence, Soapbox gallery, Brisbane<\/p>\n 2003<\/strong><\/p>\n Through the mouth, into your existence, Soapbox gallery, Brisbane<\/p>\n Thinkthank, Greenaway Art Gallery, Adelaide<\/p>\n Where is my mind, Soapbox gallery, Brisbane<\/p>\n 2002<\/strong><\/p>\n Love at the end of a days work, Soapbox gallery, Brisbane<\/p>\n 2001<\/strong><\/p>\n Eveningmeal with 6 o\u2019clock news, Soapbox gallery, Brisbane<\/p>\n Open Panorama (milk, honey, wax, theories, politics, assumptions + words), Greenaway Art Gallery, Adelaide<\/p>\n Almost there ( again… ) , Casula Powerhouse, Sydney<\/p>\n 2000<\/strong><\/p>\n Almost there, Artspace, Sydney<\/p>\n Open Panorama, Greenaway Gallery – Adelaide, Institude of Modern Art + Soapbox gallery, Brisbane<\/p>\n 1999<\/strong><\/p>\n 2000 years of nothingness, Soapbox gallery, Brisbane<\/p>\n Wishlist, Greenaway Galleries, Adelaide<\/p>\n 1998<\/strong><\/p>\n Worldly pain – Worldly spirit, Soapbox gallery, Volt, Brisbane Festival<\/p>\n Culture of forgetfulness, Soapbox gallery, Brisbane + Linden gallery,Melbourne<\/p>\n The blue room of humanity, Experimental Art Foundation – Adelaide, Perth Institute of Contemporary Art – Perth, 24 HR Art – Darwin<\/p>\n 1997<\/strong><\/p>\n The blue room of humanity, Institute of Modern Art, Brisbane<\/p>\n Memos for the next millennium, Michael Burke gallery, Brisbane<\/p>\n 1996<\/strong><\/p>\n Milk table for parliament, Darwin Festival, Northern Territory<\/p>\n A ladder for everyone, Whitebox gallery, Brisbane<\/p>\n 1995<\/strong><\/p>\n Memos for an un-known person, Michael Burke gallery, Brisbane<\/p>\n 1994<\/strong><\/p>\n Loneliness + Wailing Room, Institute of Modern Art, Brisbane<\/p>\n From the human museum of forgiveness: Eine weisse Geschichte, Randall Studio, Brisbane<\/p>\n Milk+Poem, From the human museum of laughter, Randall Studio, Brisbane<\/p>\n Emotional Architecture, collaboration with Architect Peter Besley, Gallery 331, Brisbane<\/p>\n 1993<\/strong><\/p>\n Sprachenfuge – Language fugue, Kiss my art, Brisbane<\/p>\n 1992<\/strong><\/p>\n Inside the beehive and a museum for everyone,an installation for everyone and no-one, 2 movements, M.O.C.A. and Space Plentitude, Brisbane<\/p>\n 1991<\/strong><\/p>\n Inside the beehive, everyone\u2019s land, Territory North Theatre, Darwin<\/p>\n Human Generation, collaboration with Lynnette Voevodin<\/p>\n N.T. Centre for contemporary art \u2013 Darwin<\/p>\n Chameleon contemporary art space – Hobart, Arthouse – Launceston<\/p>\n 1976<\/strong><\/p>\n Junge Talente, Gallery Atelier Autodidakt, Bregenz \u2013 Austria<\/p>\n <\/p>\n Group Exhibitions<\/p>\n 2015<\/strong><\/p>\n Remix: Objects&Sculptures, Conny Dietzschold Gallery, Sydney\u00a0and Cologne<\/p>\n Artstage Singapore<\/p>\n 2014<\/strong><\/p>\n Creatio continua, Haus der Kunst, Munich, Germany<\/p>\n 25 Years Conny\u00a0Dietzschold Gallery, Sydney\u00a0and Cologne<\/p>\n 2011<\/strong><\/p>\n Group show with Conny Dietzschold Gallery, Sydney<\/p>\n Turn around, Schwartz Gallery, London, UK<\/p>\n Open Sky, Metro Arts, Brisbane<\/p>\n 2010<\/strong><\/p>\n Group Show, Conny Dietzschold Gallery, Sydney and Cologne<\/p>\n Public sale, Kunst Pavillon, Munich, Germany<\/p>\n Annual Group Show, Factory 49, Sydney<\/p>\n Non-objective Group Show, Factory 49, Sydney<\/p>\n 2009<\/strong><\/p>\n New Skin, Queensland Centre for Photography, Brisbane<\/p>\n In der sch\u00f6nen neuen Welt, Koloni, Dresden, Germany<\/p>\n 2008<\/strong><\/p>\n Changed conditions ahead, Jugglers Art Space, Brisbane<\/p>\n Plan B, Kleine Altstadt Galerie, Dachau, Germany<\/p>\n In der sch\u00f6nen neuen Welt, Dachauer Wasserturm, Dachau, Germany<\/p>\n 2007<\/strong><\/p>\n Little white door show, Ryan Renshaw Gallery, Brisbane<\/p>\n Artist makes video, art rage survey 1994 \u2013 1998, Dell Gallery, Brisbane<\/p>\n 2006<\/strong><\/p>\n December group show, Ryan Renshaw Gallery, Brisbane<\/p>\n Artlanguage – every publishable place, The Cross Art Project, Sydney, Australia<\/p>\n Painting, John Gordon Gallery, Coffs Harbour, NSW<\/p>\n 2005<\/strong><\/p>\n Art Language, Poetry Festival, Nowra, NSW<\/p>\n This is love, Umbrella Studios, Townsville, QLD<\/p>\n Thing, Rocketart, Newcastle, NSW<\/p>\n 2004<\/strong><\/p>\n This is love, Rocketart, Newcastle<\/p>\n This is love, 24HR ART, Darwin<\/p>\n 2003<\/strong><\/p>\n This is love, Yarra Sculpture Gallery, Melbourne<\/p>\n 2001<\/strong><\/p>\n Parallax, Umbrella Studios, Townsville<\/p>\n 2000<\/strong><\/p>\n Artlink 2000, Barefoot gallery, Colombo, Sri Lanka<\/p>\n Re-site, curated by Jacki Wurm, 24 HR ART, Darwin<\/p>\n 1998<\/strong><\/p>\n Artrage, video works for television, ABC-TV, Institute of Modern Art, Brisbane, Artspace, Sydney, etc.<\/p>\n Constructed in the field of the other, Artspace, Sydney<\/p>\n Corps, Soapbox gallery, Brisbane<\/p>\n 1997<\/strong><\/p>\n Art Nineties, University Art Museum, Brisbane<\/p>\n Wax, Soapbox gallery Brisbane<\/p>\n 1996<\/strong><\/p>\n Asia Pacific Hotel Art Fair, Coronation Motel, Brisbane<\/p>\n Artists\u2019 Books, Brisbane City Gallery<\/p>\n Miss Read in the fortress, Kinesis-Sydney<\/p>\n Peregrination, Metro Arts<\/p>\n CUE, curated by Donna Confetti, Adelaide Fringe, Adelaide, Institute of Modern Art, Brisbane, Cairns Regional Gallery, Cairns<\/p>\n 1995<\/strong><\/p>\n Combust, Q.C.A Art Gallery<\/p>\n Essence, Mail art show, curated by Neil Degney<\/p>\n Q.C.A Art Gallery + Toowoomba Regional Gallery<\/p>\n Mail exchange event with Italian artists, Drawing exhibition, Pisa \u2013 Italy<\/p>\n 1994<\/strong><\/p>\n Neglected Erotica, Bartleme Gallery<\/p>\n The graphite crucible, curated by Helen Jones at Ipswich Regional Gallery, Ipswich<\/p>\n FOI, contributed Inside the beehive, Last space-First space, Noosa Regional Gallery<\/p>\n 1993<\/strong><\/p>\n Crossings, multicultural collaboration, Metro Arts<\/p>\n Dining on the abdomen, First Draft West<\/p>\n Move Over, Umbrella Studio Townsville<\/p>\n 1992<\/strong><\/p>\n Human Rights, Framed gallery Darwin<\/p>\n Edge of Frontier, N.T.C.C.A. Darwin<\/p>\n 1989<\/strong><\/p>\n NORTH OF THE BORDER SOUTH OF THE SEA,<\/p>\n Katherine, Tennant Creek, Alice Springs, Jabiru, Groote Eylandt, Darwin<\/p>\n Is there anybody out there, Northern Territory University Gallery, Darwin<\/p>\n 1979<\/strong><\/p>\n K\u00fcnstlerhaus Dornbirn, Austria<\/p>\n 1978<\/strong><\/p>\n Gallery Autodidakt, Bregenz – Austria<\/p>\n Residencies<\/strong><\/p>\n 2007<\/strong><\/p>\n Artspace, Sydney, Aftermath project, performances and exhibitions<\/p>\n 2000<\/strong><\/p>\n Artlink 2000, Colombo, Sri Lanka<\/p>\n 1994<\/strong><\/p>\n Randall Studio, Brisbane<\/p>\n <\/p>\n Performance Events<\/strong><\/p>\n 2007\u00a0\u00a0\u00a0 Forever young, Artspace, Sydney<\/p>\n 2005 \u00a0\u00a0\u00a0100 actions, Soapbox gallery, Brisbane<\/p>\n 2001 \u00a0\u00a0\u00a0Almost there ( again … ), Casula Powerhouse, Sydney<\/p>\n 1999 \u00a0\u00a0\u00a0Wishlist, Nexus multicultural art space, Adelaide<\/p>\n 1998<\/p>\n Constructed in the field of the other, (Very Little … Almost Nothing) Artspace, Sydney<\/p>\n Worldlypain-Worldlyspirit , Soapbox gallery , Volt, \u00a0Brisbane Festival<\/p>\n 1997 \u00a0\u00a0\u00a0Memos for humanity, Artspace, Sydney<\/p>\n 1994<\/p>\n Gesture (Everyone is a Destiny) and Bodymilk, Bartleme Gallery, Brisbane<\/p>\n 25 years of performance art in Australia, Sunset ( Sonnenuntergang) Institute of Modern Art, Brisbane<\/p>\n 1993<\/p>\n Erdenschwelle – Earth threshold, Institute of Modern Art, Brisbane<\/p>\n How to explain forgetting to the forgotten and<\/p>\n Thought Pieces – Thought Fugues, Bartleme Gallery, Brisbane<\/p>\n 1992 \u00a0\u00a0\u00a0Inside the beehive, Washingplace – Weepingplace, Institute of Modern Art, Brisbane<\/p>\n Published<\/strong><\/p>\n 2005<\/p>\n Speaking the world into existence, published by the Institute of Modern Art, Brisbane<\/p>\n Thing, exhibition catalogue, Rocketart, Newcastle<\/p>\n 2002<\/p>\n Heterostrophic, published by the Institute of Modern Art, Brisbane, Ihor Holubizky<\/p>\n 2000<\/p>\n Open Panorama, monograph, published by the Institute of Modern Art, Brisbane,\u00a0Ihor Holubizky<\/p>\n 1999<\/p>\n Soapbox – installation practices and artists, published by the Institute of Modern Art,<\/p>\n Brisbane, writers Ihor Holubizky and Linda Carroli<\/p>\n Taken!, contemporary photography, essay by Timothy Morrell<\/p>\n 1997<\/p>\n The Blue Room of Humanity, published by the IMA, Brisbane<\/p>\n 1997<\/p>\n UTOPIA DYSTOPIA, Linda Carroli<\/p>\n 1996<\/p>\n Das m\u00e4nnliche K\u00f6rperbild<\/p>\n 1996<\/p>\n Das Objekt<\/p>\n 1996<\/p>\n Diaspora, hand made book 10 copies only, Linda Carroli<\/p>\n 1996<\/p>\n Memos for the next millennium, Linda Carroli<\/p>\n 1995<\/p>\n Memos for an un-known person, Tracey Smith<\/p>\n 1992<\/p>\n Inside the beehive and a museum for everyone.<\/p>\n <\/p>\n Publications, catalogues and books<\/strong><\/p>\n 2012\u00a0\u00a0\u00a0 Perform, Repeat, Record: Live Art in History, Amelia Jones, Adrian Heathfield<\/p>\n 2008 \u00a0\u00a0 Column 1, Artspace Sydney<\/p>\n 2008 \u00a0\u00a0 The Material Poem, James Stuart, Sydney<\/p>\n 2007\u00a0\u00a0\u00a0 The Material Poem, James Stuart, Sydney, e-book publication<\/p>\n 2007\u00a0\u00a0\u00a0 McCulloch\u2019s Encyclopaedia of Australian Art<\/p>\n 2004\u00a0\u00a0\u00a0 Temperature – contemporary queensland sculpture, Museum of Brisbane, Queensland<\/p>\n 2001 \u00a0\u00a0 The hottest gallery in the world, 24 HR ART, Darwin N.T.<\/p>\n Almost there ( again …), Franz Ehmann, Casula Powerhouse, Sydney<\/p>\n 2000 \u00a0\u00a0 Almost there, text by Richard Grayson, Artspace, Sydney<\/p>\n 1996 \u00a0\u00a0 Solitary Confinement, Tim Morrell, Brisbane<\/p>\n 1995\u00a0\u00a0\u00a0 Essence – International Networking Culture, Neil Degney, Brisbane<\/p>\n 1994\u00a0\u00a0\u00a0 The graphite crucible, Helen Jones, Ipswich regional art gallery, Ipswich<\/p>\n 1993\u00a0\u00a0\u00a0 Dining on the abdomen, first Draft, Sydney<\/p>\n Crossings, multicultural aspects, Linda Carroli, Metro Arts, Brisbane<\/p>\n 1991\u00a0\u00a0\u00a0 Human Generation, Chris Downie, 24 HR ART, Darwin<\/p>\n <\/p>\n Curated exhibitions<\/strong><\/p>\n 2011<\/p>\n Open Sky, Metro Arts, Brisbane, Australia<\/p>\n 2005<\/p>\n This is love, Umbrella Studios, Townsville<\/p>\n Thing, Rocketart, Newcastle<\/p>\n Killing time, contemporary photography, Soapbox gallery, Brisbane<\/p>\n 1999<\/p>\n Taken!, photography, \u00a0Soapbox gallery, \u00a0Brisbane<\/p>\n 3\u00b0 of separation, diversity as certaintity, Soapbox gallery, Brisbane<\/p>\n Residue, reinstallations, University of Southern Cross Performing Art Gallery, Toowoomba<\/p>\n Oration, performances and video work, Soapbox gallery, Brisbane<\/p>\n Human, exploring the limits of physicality, Soapbox gallery, Brisbane<\/p>\n Colourfield, abstract paintings at the end of this decade, Soapbox gallery, Brisbane<\/p>\n 1998<\/p>\n Art=Nature, Soapbox gallery, Brisbane<\/p>\n Gravity, Yarra Sculpture Space, Melbourne<\/p>\n Writing + Voice as Sculpture, Soapbox gallery, Brisbane<\/p>\n 3\u00b0 of separation, Soapbox gallery, Brisbane<\/p>\n Pulp, contemporary works on paper, Soapbox gallery, Brisbane<\/p>\n 1997<\/p>\n SOAP OPERA, BILDERMACHT, WAX , Das Subjekt, \u00a0Soapbox gallery,<\/p>\n Brisbane<\/p>\n UTOPIA DYSTOPIA, Whitebox gallery, Brisbane<\/p>\n 1996<\/p>\n Das m\u00e4nnliche K\u00f6rperbild, Whitebox gallery, Brisbane<\/p>\n Diaspora, curated for the department of social and political justice, Whitebox gallery, Brisbane<\/p>\n Das Object, Whitebox gallery<\/p>\n Garagesaal, curated for the department of social and political desire, Gallery 331<\/p>\n <\/p>\n Artworks are in private collections, Australia ( Queensland, Victoria, New South Wales, Northern Territory ), Japan, Austria, Germany, Switzerland, Italy<\/p>\n <\/p>\n Art works held in Australian Institution:<\/p>\n Artbank, NSW, Australia<\/p>\n Gold Coast Art Gallery, QLD, Australia<\/p>\n <\/p>\n State collection of Vorarlberg, Austria<\/p>\n <\/p>\n Reviews:<\/strong><\/p>\n Art magazines: \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Art\/Text, EYELINE, Like, Artlink and Machine<\/p>\n News papers:\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Sydney Morning Herald, Courier Mail, Melbourne Times, Brisbane Review, Brisbane News, Art Monthly, Austrian and German Newspapers<\/p>\n Radio interviews: \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Darwin and Tripple Z – Brisbane, Tripple J- National Radio<\/p>\n <\/p>\n Television:\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Briz 31<\/p>\n Artshow – ABC TV<\/p>\n A currant afair – Channel 9<\/p>\n Stateline, Queensland – ABC TV.<\/p>\n <\/p>\n Eyeline #15, Winter 1991<\/p>\n Elizabeth O\u201dShea, Human Generation, Lynette Voevodin and Franz Ehmann, NTCCA Darwin, page 30 to 32<\/p>\n <\/p>\n Eyeline #31, Spring 1996<\/p>\n Franz Ehmann in discussion with Beth Jackson, page 30 to 35<\/p>\n <\/p>\n Eyeline #36, Autumn\/Winter 1997\/98<\/p>\n Alison Kubler, Franz Ehmann: blue room of humanity, Institude of Modern Art, page 44\/45<\/p>\n <\/p>\n Eyeline #38, Summer 1998\/1999<\/p>\n Linda Carroli, Brisbane Festival – Volt 1998, Worldly pain – worldly spirit, Franz Ehmann: Soapbox gallery, page 35\/37<\/p>\n <\/p>\n Eyeline #35, Summer 1998<\/p>\n Victoria Garton, Corps – group show, Soapbox gallery, Brisbane, page 50<\/p>\n <\/p>\n Art\/Text #64 – 1999<\/p>\n Ihor Holubizky, Franz Ehmann – Soapbox gallery, Brisbane, September 11 – 30, 1999, page 89 -90<\/p>\n <\/p>\n Like, #13 – Summer 2000<\/p>\n Peter Anderson, Open Panorama ( Existenz ) Franz Ehmann – Institude of Modern Art, Brisbane, page 48\/49<\/p>\n <\/p>\n Eyeline #46, Spring 2001<\/p>\n Ihor Holubizky, Franz Ehmann, art, food, cooking, life, 15 August 2001<\/p>\n page 27 to 31<\/p>\n <\/p>\n Artlink, Vol 27 no1, 2007<\/p>\n The word as art<\/p>\n James Stuart, text-art & interactive reading, page 58 \u2013 60<\/p>\n <\/p>\n Eyeline #66, Winter 2008<\/p>\n Kasia Janczewski, Franz Ehmann: Maximum acceleration \u2013 Ryan Renshaw Gallery<\/p>\n Page 71<\/p>\n <\/p>\n Writing for other artists and shows<\/p>\n <\/p>\n Carl Warner, Sensing the surface, University Art Museum, Brisbane,Queensland,<\/p>\n 2006, Some thoughts in disproportion to what is seen.<\/p>\n The art of Natalie Billing, reflections on remembering and being, published 2005 for the Institute of Modern Art show.<\/p>\n <\/p>\n Thing,<\/p>\n ( Pamela Mei-Leng See, Caitlin Reid, Cezary Stulgis, Eleanor Avery, James Avery ), Rocketart, Newcastle, 9 – 26 June 2005<\/p>\n <\/p>\n This is love, ( Eleanor Avery, James Avery, Caitlin Reid ),<\/p>\n Yarra Sculpture Space, Melbourne, Victoria 2003,<\/p>\n 24 HR Art, Darwin, Northern Territory, 2004,<\/p>\n Rocketart, Newcastle, 2004,<\/p>\n Umbrella Studios, Townsville, Queensland, 2005<\/p>\n <\/p>\n James Avery, Trailer, Soapbox gallery, Brisbane, 2003<\/p>\n <\/p>\n Art Fairs<\/p>\n 2012\u00a0\u00a0\u00a0 Artstage Singapore, GAG Projects\/Greenaway Art Gallery, Adelaide and Berlin<\/p>\n 2011 \u00a0\u00a0 Korea International Art Fair, Conny Dietzschold, Sydney and Cologne<\/p>\n 2011\u00a0\u00a0\u00a0 Artstage Singapore, Conny Dietzschold, Sydney and Cologne<\/p>\n 2010 \u00a0\u00a0 Melbourne Art Fair, Conny Dietzschold, Sydney and Cologne<\/p>\n 2008\u00a0\u00a0\u00a0 Brisbane Art Fair, Ryan Renshaw Gallery, Brisbane<\/p>\n 2005\u00a0\u00a0\u00a0 Brisbane Art Fair, Greenaway Art Gallery, Adelaide and Ryan Renshaw Gallery, Brisbane<\/p>\n 2003\u00a0\u00a0\u00a0 Art Sydney<\/p>\n <\/p>\n Grants:<\/p>\n 2012\u00a0\u00a0 Australia Council for the arts, Australian Government<\/p>\n 1997\u00a0\u00a0 Australia Council for the arts, Australian Government<\/p>\n 1992\u00a0\u00a0 Australia Council for the arts, Australian Government<\/p>\n <\/p>\n 2008\u00a0\u00a0 Arts Queensland, Queensland Government<\/p>\n 2003\u00a0\u00a0 Arts Queensland, Queensland Government<\/p>\n 2002\u00a0\u00a0 Arts Queensland, Queensland Government<\/p>\n 2000\u00a0\u00a0 Arts Queensland, Queensland Government<\/p>\n 1999\u00a0\u00a0 Arts Queensland, Queensland Government<\/p>\n 1997\u00a0\u00a0 Arts Queensland, Queensland Government<\/p>\n <\/p>\n","protected":false},"excerpt":{"rendered":" Born: Ehmann Franz in Graz Austria, 1963 Education Masterclass with Alison Knowles, New York artist B.A. Fine Art, N.T. University, Darwin, Northern […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":3,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-templates\/page_fullwidth.php","meta":{"footnotes":""},"class_list":["post-313","page","type-page","status-publish","hentry","gallery-content-unit"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P6xnEb-53","_links":{"self":[{"href":"https:\/\/franzehmann.com\/index.php\/wp-json\/wp\/v2\/pages\/313","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/franzehmann.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/franzehmann.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/franzehmann.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/franzehmann.com\/index.php\/wp-json\/wp\/v2\/comments?post=313"}],"version-history":[{"count":9,"href":"https:\/\/franzehmann.com\/index.php\/wp-json\/wp\/v2\/pages\/313\/revisions"}],"predecessor-version":[{"id":499,"href":"https:\/\/franzehmann.com\/index.php\/wp-json\/wp\/v2\/pages\/313\/revisions\/499"}],"up":[{"embeddable":true,"href":"https:\/\/franzehmann.com\/index.php\/wp-json\/wp\/v2\/pages\/3"}],"wp:attachment":[{"href":"https:\/\/franzehmann.com\/index.php\/wp-json\/wp\/v2\/media?parent=313"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}