{"id":982,"date":"2015-12-21T11:39:04","date_gmt":"2015-12-21T11:39:04","guid":{"rendered":"http:\/\/franzehmann.com\/?page_id=982"},"modified":"2015-12-21T11:46:43","modified_gmt":"2015-12-21T11:46:43","slug":"factory-49-2010","status":"publish","type":"page","link":"https:\/\/franzehmann.com\/index.php\/installation\/factory-49-2010\/","title":{"rendered":"Factory 49 &#8211; 2010"},"content":{"rendered":"<p>This is ongoing, obviously as long as time allows. The number fourteen is a framework, a scheme, a dialogue and outright critique. Then again, this work can be ontological, atheistic, psychological and pragmatic; a way to make an artwork where fiction and function deals with reality via absurdity. Can something as harmless as art be dangerous? Voltaire on absurdity: <em>\u2018those who can make you believe in absurdity, can make you commit atrocities\u2019<\/em>. Aesthetic considerations are made on familiarity, the habit of good taste, something for the non-creative. In other words aesthetics is overrated.<\/p>\n<p>&nbsp;<\/p>\n<div id='gallery-1' class='gallery galleryid-971 gallery-columns-3 gallery-size-thumbnail'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a data-description='' title='Franz Ehmann, Fourteen at Factory 49, Sydney, 2010' href='https:\/\/franzehmann.com\/wp-content\/uploads\/2015\/12\/DSCN2765.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/franzehmann.com\/wp-content\/uploads\/2015\/12\/DSCN2765-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-972\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-972'>\n\t\t\t\tFranz Ehmann, Fourteen at Factory 49, Sydney, 2010\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a data-description='' title='Franz Ehmann, Fourteen at Factory 49, Sydney, 2010' href='https:\/\/franzehmann.com\/wp-content\/uploads\/2015\/12\/DSCN2764.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/franzehmann.com\/wp-content\/uploads\/2015\/12\/DSCN2764-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-973\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-973'>\n\t\t\t\tFranz Ehmann, Fourteen at Factory 49, Sydney, 2010\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a data-description='' title='Franz Ehmann, Fourteen at Factory 49, Sydney, 2010' href='https:\/\/franzehmann.com\/wp-content\/uploads\/2015\/12\/DSCN2752.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/franzehmann.com\/wp-content\/uploads\/2015\/12\/DSCN2752-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-974\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-974'>\n\t\t\t\tFranz Ehmann, Fourteen at Factory 49, Sydney, 2010\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a data-description='' title='Franz Ehmann, Fourteen at Factory 49, Sydney, 2010' href='https:\/\/franzehmann.com\/wp-content\/uploads\/2015\/12\/DSCN2753.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/franzehmann.com\/wp-content\/uploads\/2015\/12\/DSCN2753-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-975\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-975'>\n\t\t\t\tFranz Ehmann, Fourteen at Factory 49, Sydney, 2010\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a data-description='' title='Franz Ehmann, Fourteen at Factory 49, Sydney, 2010' href='https:\/\/franzehmann.com\/wp-content\/uploads\/2015\/12\/DSCN2754.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/franzehmann.com\/wp-content\/uploads\/2015\/12\/DSCN2754-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-976\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-976'>\n\t\t\t\tFranz Ehmann, Fourteen at Factory 49, Sydney, 2010\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a data-description='' title='Franz Ehmann, Fourteen at Factory 49, Sydney, 2010' href='https:\/\/franzehmann.com\/wp-content\/uploads\/2015\/12\/DSCN2755.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/franzehmann.com\/wp-content\/uploads\/2015\/12\/DSCN2755-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-977\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-977'>\n\t\t\t\tFranz Ehmann, Fourteen at Factory 49, Sydney, 2010\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a data-description='' title='Franz Ehmann, Fourteen at Factory 49, Sydney, 2010' href='https:\/\/franzehmann.com\/wp-content\/uploads\/2015\/12\/DSCN2757.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/franzehmann.com\/wp-content\/uploads\/2015\/12\/DSCN2757-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-978\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-978'>\n\t\t\t\tFranz Ehmann, Fourteen at Factory 49, Sydney, 2010\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a data-description='' title='Franz Ehmann, Fourteen at Factory 49, Sydney, 2010' href='https:\/\/franzehmann.com\/wp-content\/uploads\/2015\/12\/DSCN2758.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/franzehmann.com\/wp-content\/uploads\/2015\/12\/DSCN2758-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-979\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-979'>\n\t\t\t\tFranz Ehmann, Fourteen at Factory 49, Sydney, 2010\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a data-description='' title='Franz Ehmann, Fourteen at Factory 49, Sydney, 2010' href='https:\/\/franzehmann.com\/wp-content\/uploads\/2015\/12\/DSCN2760.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/franzehmann.com\/wp-content\/uploads\/2015\/12\/DSCN2760-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-980\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-980'>\n\t\t\t\tFranz Ehmann, Fourteen at Factory 49, Sydney, 2010\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a data-description='' title='Franz Ehmann, Fourteen at Factory 49, Sydney, 2010' href='https:\/\/franzehmann.com\/wp-content\/uploads\/2015\/12\/DSCN2761.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/franzehmann.com\/wp-content\/uploads\/2015\/12\/DSCN2761-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-981\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-981'>\n\t\t\t\tFranz Ehmann, Fourteen at Factory 49, Sydney, 2010\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\n<p>&nbsp;<\/p>\n<p>Difference! What difference?<\/p>\n<p>Enough.<\/p>\n<p>Look and understand; these are the sticky emotions of experience. <em><a href=\"http:\/\/franzehmann.com\/index.php\/galleries\/fourteen\/\">For more on Fourteen<\/a><\/em><\/p>\n<p>Franz Ehmann<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This is ongoing, obviously as long as time allows. The number fourteen is a framework, a scheme, a dialogue and outright critique. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":12,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-templates\/page_fullwidth.php","meta":{"footnotes":""},"class_list":["post-982","page","type-page","status-publish","hentry","gallery-content-unit"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P6xnEb-fQ","_links":{"self":[{"href":"https:\/\/franzehmann.com\/index.php\/wp-json\/wp\/v2\/pages\/982","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/franzehmann.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/franzehmann.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/franzehmann.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/franzehmann.com\/index.php\/wp-json\/wp\/v2\/comments?post=982"}],"version-history":[{"count":3,"href":"https:\/\/franzehmann.com\/index.php\/wp-json\/wp\/v2\/pages\/982\/revisions"}],"predecessor-version":[{"id":986,"href":"https:\/\/franzehmann.com\/index.php\/wp-json\/wp\/v2\/pages\/982\/revisions\/986"}],"up":[{"embeddable":true,"href":"https:\/\/franzehmann.com\/index.php\/wp-json\/wp\/v2\/pages\/12"}],"wp:attachment":[{"href":"https:\/\/franzehmann.com\/index.php\/wp-json\/wp\/v2\/media?parent=982"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}